The well known in the restoration world Russian company “Close-Up” (“Крупный План”) turned to Algosoft for its restoration technology. Now Russia’s most classic films have been restoring with VIVA: Classic…
In Viva 4.4.5.0, we introduce new features based on a new AI-based algorithm for generating an interpolation frame (an intermediate frame located in the middle of the time interval between…
Paula Felix-Didiér, of the Museo del Cine in Buenos Aires, found a real treasure — a nearly complete print of one of the most sought-after missing films, Fritz Lang’s 1927…
In Viva 4.4.8.0, we present another new feature based on the new AI algorithm for high-quality de-interlace conversion. This feature is included in the professional license of VivaPro, and not…
Two years ago we presented the early results of applying artificial intelligence and machine learning to image restoration. We showed the results that preliminary forms of AI could deliver in…
FixaFilm post production has licensed Algosoft’s VIVA to remove flicker from Polish feature films: “Ewa chce spać” 1958 “Jutro premiera” 1962 “Sztuka kochania” 1989 “Medium” 1985 There is a flicker…
New Post-Production Tools for Backlight Flicker Removal
Flicker happens both in the old cinema and in the era of modern cameras. Viva easily eliminates flicker on old films. But when the flicker can be caused by certain…
Our AI-driven Approach in Press
“Software suites like Viva could have, say, separate professional and home-movie automatic-restoration tracks. The latter would leave archivists to adjust anything they might like to, while the former would be…
The new technology developed by Algosoft was presented at The Reel Thing 2015 by Mike Inchalik, Alexander Petukhov and Inna Kozlov. Abstract In our presentation we describe a new image…
Dobro Pozhalovat, Ili Postoronnim Vkhod Vospreshchen (Welcome or No Trespassing) by Elem Klimov (1964) after 2K scanning, sound and film restoration is presented at Cannes Classic Festival 2015. This famous…