“Software suites like Viva could have, say, separate professional and home-movie automatic-restoration tracks. The latter would leave archivists to adjust anything they might like to, while the former would be more automated so that the home user would have little to do other than press that “one button.” – Peter Monaghan. “How Machines Restore Archival Film — or, at least, are trying to.” Moving Image Archive News, March 3, 2020.